| 张燕来.从视觉到空间：现代艺术语境中的密斯·凡·德·罗与拼贴[J].建筑师,2019,(4):131-139. |
| 从视觉到空间：现代艺术语境中的密斯·凡·德·罗与拼贴 |
| From Vision to Space: Mies van der Rohe's Montage and Collage in the Context of Modern Art |
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| DOI： |
| 中文关键词: 密斯·凡·德·罗拼贴艺术、影像、空间性 |
| 英文关键词: Mies van der Rohe, Montage and Collage, Image, Spatiality |
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| 中文摘要: |
| 20世纪以来的现代艺术与建筑并行发展，相互影响。密斯·凡·德·罗广泛接触并直接参与现代艺术运动，将从立体主义、达达主义、抽象表现主义等艺术中获得的灵感转化为建筑表现中的拼贴。本文聚焦密斯始千柏林时期、延伸至美国时期的拼贴创作的历程、类型、手段和相关建筑设计思想，在现代艺术语境中探求建筑拼贴与现代艺术的共同特征以及密斯的拼贴表现的本质。 |
| 英文摘要: |
| Since the 20th century beginning, modern art and architecture had parallel development while influenced each other. Mies van der Rohe had diffusely and directly involved in the modern art movement, he had drawn inspiration from Cubism, Dadaism, Abstraction Expression and other arts, transformed it into montage and collage of architectural expression. The a巾de would focus on the process, types and methods of his montage and collage creation as well as the relative architectural concept during Mies van der Rohe's Berlin period to America period, in order to explore the common features of modern art and architectural collage as well as the essence of Mies van de『 Rohe's collage expression. |
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