| 丁光辉.重塑现代主义建筑话语——《建筑师》杂志的作用与贡献（1979—1989 年）[J].建筑师,2019,(4):45-53. |
| 重塑现代主义建筑话语——《建筑师》杂志的作用与贡献（1979—1989 年） |
| Reconstructing the Discourse of Modernism in 1980s China: The Role of The Architect |
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| DOI： |
| 中文关键词: 《建筑师》、话语、现代建筑、批评、竞赛、翻译 |
| 英文关键词: The Architect, Discourse, Modern architecture, Criticism, Competition, Translation |
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| 中文摘要: |
| 英国文化理论家雷蒙德·威廉姆斯(Raymond Williams)认为，一段时期内的文化包含支配性的、新兴的和残余的三个组成部分。它们之间有—个动态冲突、不断谈判的过程。他的理论分析揭示了—般文化生产的动态，也包括建 筑文化的演变，可以作为一个概念分析工具来研究《建筑师〉杂志在20世纪80年代中国建筑文化争论过程中的独特作用。（建筑师〉杂志的编辑和作者有培育和塑造现代建筑话语 作为一种新兴的文化，它试图颠覆与传统话语相互纠缠的主流或支配性文化立场 强调风格、形似或神似，以及民族形式、社会主义内容等。这种思想争鸣体现在《建 筑师）杂志对建筑讨论和批评的长期介入，特别是发表建筑评论、组织全国大学生设计和论文竞赛， 以及持续翻译和引介西方建筑理论特别是与空间相关的学术著作。 |
| 英文摘要: |
| British cultural theorist Raymond Williams claimed that culture was a constant negotiation process between the dominant, the emergent and the residual cultures. His analysis on cultu「e allows us to grasp the dynamics of cultural production in general and architectural production in particular. This article used his theory as a conceptual tool to investigate the role of the Chinese architectural journal The Architect in the process of cultural struggle in 1980s China. It argues that the journal became the most radical platform to deliberately cultivate an emerging culture of architecture. It disseminated the discou「se of modernism and subve「ted the dominant culture entangled with the discourse of tradition the emphasis on style, formal or spiritual similarity, and national in form, socialist in content. This intellectual intervention was realized through the journal's consistent presentation of architectural debate and criticism. in particular the writings of Zeng Zhaofen, the organization of design and essay writing competitions contributed by undergraduate students and the translation and publication of Western scholarship, particularly the intensive introduction of space theory |
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