| [荷] 赫尔曼·凡·贝赫艾克 文 潘一婷 译.自由之鸟与牢笼：二战后十年间荷兰建筑期刊考[J].建筑师,2020,(1):47-55. |
| 自由之鸟与牢笼：二战后十年间荷兰建筑期刊考 |
| The Free Bird and Its Cages: Dutch Architectural Journals in the FirstDecade after the Second World War |
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| DOI： |
| 中文关键词: 荷兰、建筑期刊、荷兰建筑、战后重建 |
| 英文关键词: Netherlands, Architectural journal, Dutch architecture, Postwar reconstruction |
| 基金项目: |
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| 摘要点击次数: 774 |
| 全文下载次数: 764 |
| 中文摘要: |
| 本文追溯了二战后十年间《建造周刊》《论坛》《天主教建筑期刊》等重要期刊的创立（重建）与发展的历史，
管窥战后荷兰专业建筑期刊业的全貌。文章讨论了展现在战后荷兰建筑期刊中的多元思想——米拉斯所代表的中
间路线，J·B·巴克马、J·H·凡·登·布鲁克、A·E·凡·艾克代表的新一代先锋思潮，J·朗普雷·莫里哀
领导下的战后传统主义，巴克马对“自由”的解读等。本文是一篇呈现荷兰战后建筑界思想发展驱动力与思想交
锋的文章。 |
| 英文摘要: |
| This paper provides a panoramic view of Dutch professional architectural journals in the first decade after
WWII, looking at the reconstruction and development of important Dutch journals, such as Bouwkundig Weekblad ,
Forum , and Katholiek Bouwbiad . It examines the pluralistic approaches presented in the post-war Dutch architectural
journals – including the‘middle-of-the-road’attitude of J. P. Mieras; the experimental ideas of J. B. Bakema, J. H.
van den Broek, and A. E. Van Eyck; the traditionalism of J. Granpré Molière; and the interpretation of‘freedom’by
Bakema. This paper aims to present an in-depth study on the confrontation between different views in the post-war
Dutch architectural community. |
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