| 屈宇轩 纪超文.深度才是创作的关键
——关于黑川雅之“我的四个作品及其背后的设计思
想”讲座的一点思考[J].建筑师,2020,(2):115-119. |
| 深度才是创作的关键
——关于黑川雅之“我的四个作品及其背后的设计思
想”讲座的一点思考 |
| Depth is the Key of Creation：Reflection on Kurokawa Masano’sLecture about“My Four Productions and Idea behind the Design” |
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| DOI： |
| 中文关键词: 黑川雅之、深度创作、建筑审美 |
| 英文关键词: Masayuki Kurokawa, Deep creation, Architectural aesthetics |
| 基金项目: |
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| 中文摘要: |
| 黑川雅之作为世界著名的建筑师与工业设计师，开创了日本建筑和工业设计的新时代，在对于设计、物、
审美、时间、空间的不断思考与探索中，逐渐形成“生命与性”的哲学理念，作为他的设计的永恒主题。本文
通过对黑川雅之“我的四个作品及其背后的设计思想”演讲内容的理解与思考，解析黑川雅之如何在实际设计
作品中追求“深度”二字，进而针对建筑设计而言，分析如何从建筑的本源出发，从想与做两方面去追求“深度”，
并且在面对传统与未来、传承与创造时，“深度”二字依然重要。 |
| 英文摘要: |
| As a world-renowned architect and industrial designer, Kurokawa initiated a new era of Japanese
architecture and industrial design. In the constant thinking and exploration of aesthetic time and space of design
objects, he gradually formed the philosophical concept of life and sex as the profound theme of design.Through
understanding and thinking about the content of Kurokawa Masano’s four works and the ideas of the design
behind it, this paper analyzes how Kurokawa Masano seeks “depth” in the actual design works, and then, in view
of architectural design, analyzes how to start from the origin of the architecture from two aspects of thinking
and doing. “Depth”, and in the face of tradition and future, inheritance and creation, “depth” two words are still
important. |
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