| 韩艺宽.焦点变化与图形重叠—— 一种理解透明性的视角[J].建筑师,2020,(4):70-75. |
| 焦点变化与图形重叠—— 一种理解透明性的视角 |
| Focus Change and Graphic Overlay: A Perspective of Understanding Transparency |
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| DOI： |
| 中文关键词: 建筑、绘画、立体主义、字面透明性、现象透明性 |
| 英文关键词: Architecture, Painting, Cubism, Literal transparency, Phenomenal transparency |
| 基金项目: |
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| 中文摘要: |
| 透明性理论来源于对立体主义绘画的讨论，并在建筑领域产生深远影响。本文从绘画和建筑的统一性出发，讨论西方绘画发展过程中焦点的变化与重叠问题的处理，由此解读各个理论家针对这两个问题的阐释，引出对透明性理论在绘画和建筑领域的讨论。同时将透明性理论放入柯林·罗在20世纪40年代中期至德州大学时期所做的工作中，揭示透明性理论在柯林·罗思想体系中的重要地位。通过这样纵横两个方向的阐述，试图建立一种较为完整的理解透明性理论的视野。 |
| 英文摘要: |
| Cubism is the source of transparency, which then has a profound impact on architecture. On the basis of
unity of architecture and painting, this article discusses the change of focal point and overlapping problem during
the development of western paintings, analyzes the theorists’ different viewpoints on these two issues, outlines
the discussions of transparency in the field of painting and architecture. At the same time, the importance of
transparency theory in Colin Rowe’s ideological system is revealed when putting it into Colin Rowe’s series of articles
at that particular time, 1940s - 1950s. By these two directions of discussion, an integrated vision of understanding
transparency theory is built. |
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