| 丁光辉.回归被贬抑的主体性：方塔园与象山校园[J].建筑师,2021,(1):17-25. |
| 回归被贬抑的主体性：方塔园与象山校园 |
| The Return of Repressed Subjectivity：The Garden of the SquarePagoda and Xiangshan Campus, China Academy of Art |
| |
| DOI：10.12285/jzs.20210223005 |
| 中文关键词: 主体性、冯纪忠、王澍、身体体验、权力 |
| 英文关键词: Subjectivity, FENG Jizhong, WANG Shu, Embodied Experience, Power |
| 基金项目: |
|
| 摘要点击次数: 1194 |
| 全文下载次数: 36 |
| 中文摘要: |
| 本文主要探讨当代中国建筑实践中一个常被忽视的议题——主体性。在改革开放之前，建筑创作和研究受到意
识形态的严重干扰，主体性的表达常常屈服于政治、权力因素；改革开放以来，建筑实践的主要任务是应对社会激增
的物质需求，受资本、效率、实用、速度等工具理性因素的支配。本文采用梅洛-庞蒂的现象学和福柯的后结构主义
对主体性的论述作为理论框架，阐释建筑师冯纪忠和王澍在设计创作和理论思考中对主体性的建构。作者认为，通
过精心呈现建筑中的空间、时间、物质和身体体验，冯纪忠和王澍分别建构了一种抵抗的主体性——融合了创造性、
生产性的权力关系和物质性、感知性的美学表达。这种主体性建构的价值和意义在于创造了一种新的生命体验，挑战
了当代主流建筑实践中对身体感知和集体能动性的忽略和抑制。 |
| 英文摘要: |
| This paper examines the neglected role of subjectivity in contemporary Chinese architecture. Specifically,
it investigates the process by which subjectivity in architecture was repressed by political ideology and instrumental rationality in the context of a socialist market economy and how was it constructed by architects in material
and theoretical practices. It takes the works of FENG Jizhong and WANG Shu as two case studies，drawing on
two complimentary approaches towards subjectivity as interpretative tools：the phenomenological emphasis on
bodily experience by Merleau-Ponty and the poststructuralist approach towards power by Foucault. In the Garden
of the Square Pagoda in Shanghai and Xiangshan Campus，China Academy of Art, Hangzhou, FENG and WANG
constructed, respectively, a resistant subjectivity–a combination of productive power relations and an embodied
aesthetic articulation, through the expression of spatial，temporal，material and corporeal experience. The return
of this repressed subjectivity constitutes a critique of contemporary architectural production overlooking human
perception and public agency. |
|
查看全文
查看/发表评论 下载PDF阅读器 |
| 关闭 |
|
|
|
