| 何璐西 刘大平.文化选择与接受的产物：20 世纪新艺术运动在中国的传播模式及其形态特征解析[J].建筑师,2021,(4):120-129. |
| 文化选择与接受的产物：20 世纪新艺术运动在中国的传播模式及其形态特征解析 |
| The Outcome of Cultural Option and Acceptance: Analysis of the Transmission Pattern and MorphologicalCharacteristics of Art Nouveau Movement in China of 20th Century |
| |
| DOI：10.12285/jzs.20210525003 |
| 中文关键词: 新艺术运动、中国近代建筑、文化传播、三种传播模式 |
| 英文关键词: Art Nouveau Movement, Chinese modern architecture, Cultural transmission, Three modes of transmission |
| 基金项目: |
|
| 摘要点击次数: 541 |
| 全文下载次数: 460 |
| 中文摘要: |
| 19 世纪末，新艺术运动以崭新的艺术面貌出现，席卷了整个欧洲并跨越了欧亚大陆，同步传播到了中国，并形成
了独属中国的地域性特征。新艺术运动中的建筑与装饰作为20 世纪艺术遗产中重要的一环，对研究与溯源中国近代
建筑遗产有关键性的影响，同时，新艺术运动在中国的传播是一个选择与接受的过程。本文对中国范围内新艺术运动
的时空发展进行梳理，总结出其在中国传播的两种途径，并以三种传播模式为指引，对中国新艺术建筑与装饰的形态
特征进行解析，以完善新艺术运动在全球分布的完整性。 |
| 英文摘要: |
| At the end of the 19th century, Art Nouveau Movement appeared with a new artistic appearance, which
naturally swept across Europe and spread to China simultaneously across the Eurasian Mainland boundary with
different attributes of architecture and decoration formed the regional characteristics of China. As an important
part of art heritage in the 20th century, architecture and decoration of Art Nouveau Movement had a key influence
on the research and traceability of Chinese modern architectural heritage, which is also a process of choice and
acceptance. In order to improve the intergrity of Art Nouveau Movement in the world, this paper aims at carding
the space-time development, summed up two paths of communication in China and guided by three modes of
transmission, analyzes the morphological characteristics of Chinese architecture and decoration on Art Nouveau
movement. |
|
查看全文
查看/发表评论 下载PDF阅读器 |
| 关闭 |
