| 黄庄巍 邹广天 刘静.学社余韵，返本开新——黄宝瑜和他的中国建筑史学书写与理论探索[J].建筑师,2021,(5):26-38. |
| 学社余韵，返本开新——黄宝瑜和他的中国建筑史学书写与理论探索 |
| Boyle HUANG and His Writing and Theoretical Exploration of Chinese Architectural History |
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| DOI：10.12285/jzs.20210221001 |
| 中文关键词: 中国建筑史学史、中国营造学社、中国建筑史、台湾建筑、黄宝瑜 |
| 英文关键词: Historiography of Chinese architecture,Society for the study of Chinese architecture,History of Chinese
architecture, Architecture in Taiwan province, Boyle HUANG |
| 基金项目: |
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| 摘要点击次数: 982 |
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| 中文摘要: |
| 1940—1970 年代，中国第二代建筑师黄宝瑜师从刘敦桢，以复兴中国建筑为目标，基于中国营造学社学术思想，
融合中西，在近代文化保守主义、民族主义思潮及西方现代建筑理论的影响下，于台湾地区首开中国建筑史学教育，
进行了《中国建筑史》等史学书写及系列理论、实践探索，继承、创新发展了中国营造学社思想，呈现了1950—1970
年代中国建筑史学家对复兴中国建筑路径的深度思考。本文基于民国以来中国近代文化思潮和建筑史学发展历史脉
络，对黄宝瑜及其中国建筑史学书写和理论探索的相关历史进行深入剖析，将有助于完善中国营造学社学术思想后
续传播与发展的研究，探索1950—1970 年代中国建筑史学理论发展的多元图景，补充这一时期中国建筑史学界在世
界现代建筑运动进程中的叙事。 |
| 英文摘要: |
| From 1940s to 1970s, with the goal of rejuvenating Chinese architecture, Boyle HUANG studied with
LIU Dunzhen, initiated the education of Chinese architectural history in Taiwan province. Under the influence of the
academic thoughts of Society for the study of Chinese architecture，modern cultural conservatism, nationalism
and western modern architectural theory, he made a series of historical discussions and theoretical explorations,
such as the history of Chinese architecture. Boyle HUANG’s historical writing and theoretical exploration integrated
China and the west, spread and developed the ideas of Society for the study of Chinese architecture, presented the
innovative thinking of Chinese historians on the path of modern renaissance of Chinese architecture from 1950s
to 1970s. Based on the development of modern Chinese cultural thoughts and architectural history of China, this
study will make an in-depth analysis of Boyle HUANG’s history of Chinese historiography writing and theoretical
exploration. The research will help to improve the follow-up dissemination and development narrative of the
academic thoughts of the Society for the study of Chinese architecture, supplement the diversified prospect of the
theoretical research of Chinese architectural history in the 1950s—1970s, and supplement the narrative of Chinese
architectural history in the process of the world modern architectural movement in the 1950s—1970s. |
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