| 陈姣兰.谁是赋意者？——对吉首美术馆的思考[J].建筑师,2022,(1):53-58. |
| 谁是赋意者？——对吉首美术馆的思考 |
| Who is the Giver of Meanings: A Critical Thinking on the Jishou Art Museum |
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| DOI：10.12285/jzs.20200610001 |
| 中文关键词: 吉首美术馆、专业论述、日常生活、身体经验、话语实践、建筑实践、建筑意义 |
| 英文关键词: Jishou Art Museum, Professional Discourse, Daily Life, Body Experience, Discursive Practice,
Architectural Discourse, Meaning of Architecture |
| 基金项目: |
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| 中文摘要: |
| 建筑是什么？建筑属于谁？建筑的意义在哪里？这些都是追问建筑的本质时无法回避的问题。本文以吉首美术馆为对象，将围绕它而产生的建筑师、建筑评论家和建筑在地的使用者的言说进行参照，呈现“专业话语”与“日常生活话语”之间的差异。将使用者在日常生活中的评述，视为一种意义竞争中的话语实践，可为反思建筑实践提供启发。 |
| 英文摘要: |
| What is architecture? Who does the architecture belong to? What is the meaning of architecture? These are the unavoidable questions when we explore the essence of architecture. Taking the Jishou Art Museum as the research object, it compares the speeches of architect, architectural critic and local users, showing the difference between the “professional discourse” and the “discourse of daily life”. Regarding what users say in the daily life as a discursive practice in the competition for meaning, it may provide inspiration for the reflection of architectural practice. |
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