| 童乔慧 黄婷? 胡嘉渝 董贺轩.科学制图技术的推动者
——文艺复兴时期的代表建筑师小桑加洛[J].建筑师,2022,(5):80-89. |
| 科学制图技术的推动者
——文艺复兴时期的代表建筑师小桑加洛 |
| The Promoter of Scientific Drawing Technology: Antonio da Sangallothe Younge, the Representative Architect of the Renaissance |
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| DOI：10.12285/jzs.20211206001 |
| 中文关键词: 小安东尼奥·达·桑加洛、文艺复兴、科学制图、古典秩序 |
| 英文关键词: Antonio da Sangallo the Younge,Renaissance,Scientific drawing,Classical Order |
| 基金项目: |
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| 摘要点击次数: 272 |
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| 中文摘要: |
| 小安东尼奥·达·桑加洛是意大利文艺复兴盛期的主要代表人物，他所设计的法尔内塞府邸是罗马一系列教皇
家族宫邸中的首例，也是16世纪意大利最壮美的宫邸建筑。在建筑理念上，他力求在变化万千的古代遗存中探求维
特鲁威古典秩序的表现，以期用图解的方式重构古典秩序，同时他留存下来的设计图纸比以往任何一位建筑师都要多，
这些图纸以平面、立面、剖面与透视组合的方式来表达建筑设计，大大推进了建筑制图技术的规范性和合理性。小桑
加洛强调建筑的技术性尺寸，认为专业的建筑图纸应该清晰、精确和可读性强，他是现代制图三维表达的先驱者。他
的实践和画作为西方古典秩序的理性回归和科学制图起到了重要的推动作用。 |
| 英文摘要: |
| Antonio da Sangallo the Younge is the main representative of the Italian Renaissance. The Palazzo
Farnese designed by him is the first in a series of papal royal palaces in Rome，and it is also the most magnificent
palace building in Italy in the 16th century.In terms of architectural concepts，he strives to explore the performance
of Vitruvian’s classical order in the ever-changing ancient remains，in order to reconstruct the classical order in
a graphical way. At the same time，he has retained more design drawings than any other architect in the past，
and these drawings express the architectural design in the way of the combination of plane，elevation，section
and perspective，which greatly promotes the standardization and rationality of architectural drawing technology.
Antonio da Sangallo the Younge emphasized the technical dimensions of the building and believed that professional architectural drawings should be clear，precise and readable，and he was the pioneer of three-dimensional
expression in modern drawing.His practice and painting played an important role in promoting the rational return
of Western classical order and scientific drawing. |
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