| 肖馺.漂泊的办公桌：一个穿越现代性的包豪斯物件[J].建筑师,2022,(6):93-99. |
| 漂泊的办公桌：一个穿越现代性的包豪斯物件 |
| The Desk in Exile: A Bauhaus Object Traversing Different Modernit |
| |
| DOI：10.12285/jzs.20220329001 |
| 中文关键词: 包豪斯、沃尔特·格罗皮乌斯、室内设计、现代室内空间、现代性 |
| 英文关键词: Bauhaus, Walter Gropius, Interior design, Modern interior, Modernity |
| 基金项目: |
|
| 摘要点击次数: 307 |
| 全文下载次数: 458 |
| 中文摘要: |
| 沃尔特·格罗皮乌斯（Walter Gropius）在德国包豪斯学校的办公桌是一个特殊的物件：它由格罗皮乌斯
亲自设计，是1923 年包豪斯魏玛的校长办公室空间构成的一部分，却经历了从魏玛（Weimar）到德绍（Dessau）、
从德国到美国的场景置换。本文回溯办公桌迁移的旅程，探究其作为一个象征物件，所反映出的现代主义和现
代性思想的演变。书桌成为一个媒介符号，其所在的空间场景的变换，指向以包豪斯为中心的现代生活方式的
演变。本文关注书桌迁徙的旅程中几个重要年代节点：1923 年的魏玛、1925 年的德绍和1938 年的林肯，由一
个贴着“包豪斯”标签的物件出发，探寻现代性演变的历史路径。 |
| 英文摘要: |
| Designed by Walter Gropius, the office desk in the Director’s room at Weimar Bauhaus has become a
historic object: it was produced as an integral part of the Director’s office space in 1923 for the Weimar Bauhaus,
yet underwent occasions of displacement from Weimar to Dessau, from Germany and finally to the United States.
This article traces the journey of the desk’s journey of exile, through the lens of which the article identifies modernism
and modernity that the desk represented as a symbolic object. The desk has become what Baudrillard refers
to as a symbol, and the transformation of its setting – the space in which it was located – which leads the attention
of the modern lifestyle specifically promoted through the Bauhaus. This article focuses on several important
chronological points in the exile journey of the desk: Weimar in 1923, Dessau in 1925, and Lincoln in 1938 in order
to explore the notion of modernism and modernity mirrored from this object labelled with the specific notion of
“the Bauhaus”. |
|
查看全文
查看/发表评论 下载PDF阅读器 |
| 关闭 |
|
|
|
