文章摘要
孙婷??李凌洲?孔宇航.传统木造现代重构的可能路径 —— 从隈研吾梼原木桥博物馆的建造逻辑与形式表达展开[J].建筑师,2023,(4):64-72.
传统木造现代重构的可能路径 —— 从隈研吾梼原木桥博物馆的建造逻辑与形式表达展开
The Path of Reconstruction of Traditional Woodworking: The Construction Logic and Formal Expression of Kengo Kuma’s Yusuhara Wooden Bridge Museum
  
DOI:10.12285/jzs.20220530001
中文关键词: 隈研吾、梼原木桥博物馆、传统技艺、现代转译、现代木建筑、结构体系
英文关键词: Kengo Kuma,Yusuhara Wooden Bridge Museum,Traditional building craft,Modern transformation,Wooden construction,Structure
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作者单位
孙婷??李凌洲?孔宇航  
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中文摘要:
      本文尝试以隈研吾设计的梼原木桥博物馆为样本,观察东亚传统木造技艺现代转译的路径。文章从梼原木桥博物馆展开研究,溯源木桥博物馆设计的概念原型:日本刎桥与斗栱,追踪这些传统木构的实际建造技艺,并解析隈研吾木桥博物馆与传统木构间的异同。通过对设计与建造的详细分析与研究,文章指出隈研吾木桥博物馆是对传统木构建造技艺的现代重构。这与许多中国建筑师对传统木构现代转译的探索产生可比性。通过比较王澍、王灏等建筑师与隈研吾的设计思想与实践案例,探索传统技艺的现代转译,为国内建筑学提供学科话语的一种多元化可能性。
英文摘要:
      This paper attempts to take Kengo Kuma’s Yusuhara Wooden Bridge Museum as a sample to observe the modern translation path of East Asian traditional woodworking techniques. First,the article traces back to the conceptual prototype of the design of the Wooden Bridge Museum:the Japanese cut bridge and Dougong,tracks the actual construction techniques of these traditional wooden structures,and analyzes the similarities and differences between Yusuhara Wooden Bridge Museum and traditional wooden structures. Through the detailed analysis and research on the design and construction of the Yusuhara Wooden Bridge Museum,the article points out that the design is a modern reconstruction of the traditional wood construction techniques. This is comparable to many Chinese architects’ exploration of modern translation of traditional wooden structures. By comparing the design ideas and practice cases of WANG Shu,WANG Hao and other architects with that of Kengo Kuma,we can explore the modern translation of traditional techniques,and provide a diverse possibility for the discourse of domestic architecture disciplines.
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