| 张燕来.彼岸花：安藤忠雄与现代艺术[J].建筑师,2023,(5):64-73. |
| 彼岸花：安藤忠雄与现代艺术 |
| Across the River: Tadao Ando and Modern Art |
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| DOI：10.12285/jzs.20220628001 |
| 中文关键词: 安藤忠雄、现代艺术、融合、碰撞 |
| 英文关键词: Tadao Ando,Modern Art,Integration,Collision |
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| 中文摘要: |
| 安藤忠雄的建筑思想与他对现代艺术的长期关注和思考密不可分。本文回顾了安藤忠雄的艺术启蒙以及与现代艺术的多种接触方式，并结合作品分析了他的建筑空间如何在室外空间与室内空间两个层面上对艺术作品作出回应。文章认为，安藤忠雄的艺术观反映了20世纪东西方艺术的交汇，这一点直接呈现在他的作品所体现的建筑和艺术流派中。同时，现代艺术与现代建筑有着密不可分的联系，两者不断地融合和碰撞，构成了以安藤忠雄为代表的现代建筑师创作的一个重要特征。 |
| 英文摘要: |
| Tadao Ando's long-term interest in modern art had a profound influence on his reflection of architec-
ture design. This paper traces back Tadao Ando's artistic enlightenment and his various ways of contacting with modern art，then analyzes how his architectural space responds to his artistic works in both outdoor and indoor spaces. The paper argues that Tadao Ando's view of arts reflects the encountering of Eastern and Western art in the 20th century，which is directly presented in the architecture and artistic genres embodied in his work. At the same time，modern art and architecture are inextricably linked，and modern architects represented by Tadao Ando are characterized by collisions and integration of the two. |
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