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| 科尔德穆瓦的《巴斯蒂尔建筑艺术新论》 与希腊-哥特式风格的源流与影响 |
| Cordemoy 《Nouveau Traité de toute l’architecture ou l’art de Bastir》 and the Sources and Influences of the Graeco-Gothic Style |
| 投稿时间：2024-11-21 修订日期：2025-03-03 |
| DOI： |
| 中文关键词: 科尔德穆瓦、《巴斯蒂尔建筑艺术新论》、希腊-哥特式、功能主义、结构理性主义 |
| 英文关键词: Cordemoy 《Nouveau Traité de toute l’architecture ou l’art de Bastir》 Graeco-Gothic Functionalism Structural Rationalism |
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| 摘要点击次数: 28 |
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| 中文摘要: |
| 科尔德穆瓦是17世纪末法国功能主义先驱之一，他的《巴斯蒂尔建筑艺术新论》用“配置、分布、适宜”，引发了对传统范式的挑战。洛吉耶被认为是遵循了以科尔德穆瓦为先锋的功能主义脉络。科德穆瓦从探讨教堂建筑的设计出发，通过对美观与实用之间关系的辨析，初步探索了现代功能主义和材料真实概念。他提出的“希腊-哥特式”设想，也被认为是结构理性主义的前奏。 |
| 英文摘要: |
| Cordemoy was one of the pioneers of functionalism in France at the end of the 17th century, and his 《Nouveau Traité de toute l’architecture ou l’art de Bastir》 was structured around three principles of architectural design with “ordonnance, distribution and bienséance”, provoking a challenge to traditional paradigm. Laugier is thought to have followed the vein of functionalism pioneered by Cordemoy. Starting from an exploration of the design of church architecture, Cordemoy initially explored the concepts of modern functionalism and material reality by discerning the relationship between aesthetics and utility. His vision of the ‘Graeco-Gothic’ ideal is also considered a precursor to structural rationalism. |
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