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| 从“个体精神”到“集体意志”：奥尔布里希的两座“圣殿”及其启示 |
| From "individual spirit" to "collective will"：Olbrich's Two "Temples" and Their Reflection |
| 投稿时间：2024-12-10 修订日期：2025-04-01 |
| DOI： |
| 中文关键词: 新艺术运动、维也纳分离派、奥尔布里希、现代性 |
| 英文关键词: art nouveau, Vienna Secession, Olbrich modernity |
| 基金项目: |
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| 中文摘要: |
| 约瑟夫·奥尔布里希是新艺术运动时期的重要建筑师，他对早期现代主义建筑设计的发展产生了深远影响。文章通过对奥尔布里希设计作品—“维也纳分离派展馆”和“达姆施塔特艺术家聚居地”两座“圣殿”的解析，剖析他“为时代的艺术，为艺术的自由”的精神内核，展现他从“个体精神”走向“集体意志”的思想轨迹，或将启发当今我国本土建筑的文脉传承与创新设计。 |
| 英文摘要: |
| Josef Olbrich was an important architect of the Art Nouveau period, whose influence on the development of early modernist architecture was profound. This article analyzes two of Olbrich’s key architectural works— the “Vienna Secession Building” and the “Darmstadt Artists' Colony”—which he referred to as “temples.” By exploring these works, the article delves into the core of his belief, “To every age its art. To art its freedom” (Deutsch: Der Zeit Ihre Kunst, Der Kunst Ihre Freiheit), and traces the evolution of his design philosophy from the "individual spirit" to the "collective will." The study suggests that Olbrich's journey may offer inspiration for the continuity and innovative design of contemporary architecture in China. |
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