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| 营造“如画”：18世纪欧洲风景式园林的氛围机制与权力技术 |
| Crafting the “Picturesque”: The Atmospheric Mechanism and Technology of Power in 18th-Century European Landscape Gardens |
| 投稿时间：2025-05-29 修订日期：2025-09-24 |
| DOI： |
| 中文关键词: 如画美 感官驯化 氛围 装置 |
| 英文关键词: Picturesque Sensory cultivation Atmosphere Apparatus |
| 基金项目: |
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| 中文摘要: |
| 18世纪欧洲风景式园林的“如画”变革，实为一场深刻的权力技术转型。本文突破传统的形式分析，借鉴格诺特·波默的氛围美学与乔治·阿甘本的装置理论，揭示其如何通过视觉框定与动线设计等策略，构建出一个沉浸式的感官环境——如画氛围。氛围作为一种精密的审美权力装置，温柔地引导着游客的身体移动与情感体验，使其在愉悦的漫步中无意识地认同并践行着土地垄断、阶级区隔与文化殖民的空间秩序。由此，如画园林并非对古典理性的简单否定，其本质是权力运作方式的现代转型：即从显性的等级压制，转向了一种基于感官体验的隐性引导，这标志着依托于具身驯化的空间治理术已初步成熟。 |
| 英文摘要: |
| The picturesque transformation of 18th-century European landscape gardens constituted a profound shift in the technology of power. Moving beyond traditional formal analysis, this paper draws upon Gernot B?hme’s aesthetics of atmosphere and Giorgio Agamben’s theory of the apparatus to reveal how these gardens, by adopting the visual paradigms of landscape painting and employing strategies such as path design and visual framing, constructed an immersive sensory environment: a picturesque atmosphere. This atmosphere functioned as a sophisticated apparatus of aesthetic power, gently guiding the visitor’s bodily movement and emotional experience, thereby leading them to unconsciously accept and enact the spatial order underpinning land monopoly, class distinction, and cultural colonization, all while engaged in the pleasure of the stroll. Consequently, the picturesque garden was not a simple negation of classical rationality, but rather a modernization in the operation of power: a transition from explicit hierarchical imposition to an implicit guidance based on sensory experience, marking the preliminary maturation of a technology of power rooted in embodied cultivation. |
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