文章摘要
纯粹主义的转向
Shift of the Purism
投稿时间:2019-03-28  修订日期:2019-07-17
DOI:
中文关键词: 几何,深度,透明
英文关键词: Geometry, Depth, Transparency
基金项目:
作者单位E-mail
郦文曦 早稻田大学 lwx.magic@qq.com 
范舟 早稻田大学/中国艺术研究院  
古谷诚章 早稻田大学  
藤井由理 早稻田大学  
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中文摘要:
      本文回溯了勒·柯布西耶在纯粹主义运动(1918-1925年)前后,其绘画中空间观念所经历的转向。彼时的让纳雷以绘画作为实验工具,发展了他对于空间的理解。本文将勒·柯布西耶在纯粹主义前后的绘画探索分为四个阶段,通过比较四个阶段的作品,指出勒·柯布西耶的空间观念经历了由注重写实与单点透视,到关注对象平面中的几何与秩序,再到用透明的块面相互叠加来营造深度感,最后转为对于大自然有机形式的探索。由此揭示出其绘画不同题材的背后,隐藏着形式逻辑的必然联系。
英文摘要:
      This article traces the turn that Le Corbusier experienced in the concept of space in his paintings before and after the purist movement (1918-1925). At that time, Jeanneret developed his understanding of space by using painting as his experimental tool. This paper pointed out that his concept of space has gone through the process from focusing on realism and single-point perspective, to focusing on geometry and order in the plan of the object, and then by superimposing with transparent plans to create a sense of depth, and finally developing into an organic form, which shows the inevitable connection of the formal logic behind the motif changing.
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