文章摘要
厝格海韵:从前喻到并喻的闽南地域性建筑设计研究
Reflection of Dacuo And Rhythm of Ocean: A study of Southern Fujian Regional Architecture Design from Postfigurative to Cofigurative Culture
投稿时间:2019-12-20  修订日期:2020-02-07
DOI:
中文关键词: 地域建筑、文化人类学、前喻文化、并喻文化、设计史
英文关键词: Regional Architecture, Cultural Anthropology, Postfigurative Culture, Cofigurative Culture, Design History
基金项目:
作者单位E-mail
陈宏 厦门大学建筑与土木工程学院 347605132@qq.com 
王绍森 厦门大学建筑与土木工程学院 ymcai@xmu.edu.cn 
王长庆 厦门大学建筑与土木工程学院  
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中文摘要:
      本文梳理了90年代以来闽南地区地域建筑设计发展过程。借由美国文化人类学家玛格丽特·米德的“三喻”理论,将这一过程分为受闽南文化影响较深、表现出更多前喻性的厝格时期以及受自然及技术影响较深、表现出更多并喻性的海韵时期,并分析每一时期文化与环境的力量如何作用于建筑。
英文摘要:
      This article reviews the development of Southern Fujian regional architecture design since the 1990s. Meanwhile, by invoking the generation culture theory propose by American cultural anthropologist Margaret Mead, this process was classified into two stages: Reflection of Dacuo, during which it showed more influence by Southern Fujian culture and more postfigurative quality; and Rhythm of the Ocean, during which more impact derived from nature and technology, thus presents more as cofigurative culture. The article then analyzes how the power of culture and environment reflects on architecture.
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