文章摘要
我思故我在— 非常建筑第三个十年的在与思
I Think and Therefore I am: In the Third Decade of Atelier FeiChangJianZhu
投稿时间:2024-01-30  修订日期:2024-01-30
DOI:10.12285/jzs.20240130004
中文关键词: 张永和、非常建筑、梅洛 - 庞蒂、具身性、我思故我在
英文关键词: Yung Ho Chang,Atelier FeiChangJianZhu,Merleau-Ponty,Embodiment,I think and therefore I am
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作者单位
王辉*  
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中文摘要:
      本文借从笛卡尔、康德到梅洛 - 庞蒂对“我思故我在”这个哲学命题的思辨,来平行考察非常建筑三十 年实践中张永和的智性发展轨迹,以眼、手、脑、心、灵五个官能为切入点,用空间的具身性来理解张永和 近十年的建筑创作,展开一个从作者角度解读设计作品的建筑评论方式。
英文摘要:
      This article draws on the speculation on the philosophical proposition ”I think,therefore I am” from Des- cartes,Kant to Merleau-Ponty,to parallelly examine Yung Ho Chang ‘s intellectual trajectory developed in the thirty years of practice of FeiChangJianZhu. Making eyes,hands,and mind,heart,and soul as the starting point for spatial analysis,it borrows Merleau-Ponty’s concept of embodiment to understand Yung Ho Chang’s design approaches in the past ten years,and develops an architectural criticism that interprets design works by analyzing the author.
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