| 杨怡楠.“拼贴城市”的思维和手法 —— 当代语境下城市的历史环境更新[J].建筑师,2018,(6):68-73. |
| “拼贴城市”的思维和手法 —— 当代语境下城市的历史环境更新 |
| Views and Methods of“Collage City”: Contemporary Urban Renewal in Historical Context |
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| 中文关键词: 拼贴术、拼贴城市、历史肌理、空间重构、文脉延续 |
| 英文关键词: “Bricolage”, “Collage City”, Historical Context, Spatial Transformation, Cultural Continuity |
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| 中文摘要: |
| “拼贴城市”是由柯林·罗和弗雷德·科特于《拼贴城市》一书中提出的重要思想，旨在将“拼贴术”的思维和 手法从艺术领域拓展到城市和建筑的设计与更新中。本文着重分析这一思想的背景来源，探讨其“城市作为背景” 主张背后的中立历史态度。最后以德国法兰克福历史博物馆的设计竞赛为例，解读其如何以拼贴视角对待基地环境， 实现当代语境下城市空间的重构和以历史肌理为基础的城市更新。 |
| 英文摘要: |
| “Collage City”is a very important theory of Colin Rowe and Fred Koetter that was put forward in their work Collage City . The aim is to extend the “Bricolage”views and methods from the fi eld of art into urban design and architecture. This article tries to analyze the background of the statement “city as a stage”and its neutral attitude towards history and modernization. At the end, based on the case of Frankfurt New Historical Museum Competition, it will discuss how to judge the building environment from a “Bricolage” view, in order to realize urban spatial transformation and contemporary urban renewal in historical context. |
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