文章摘要
[美]詹姆斯·格雷厄姆.锻铁音乐——埃里克·萨蒂、勒·柯布西耶与听觉建筑的问题[J].建筑师,2020,(5):111-126.
锻铁音乐——埃里克·萨蒂、勒·柯布西耶与听觉建筑的问题
Musique en fer Forgé: Erik Satie, Le Corbusier and the Problem of
  
DOI:
中文关键词: 埃里克·萨蒂、家具音乐、勒·柯布西耶、听觉建筑、音乐与建筑
英文关键词: Erik Satie, Musique d’ameublement (Furniture Music), Le Corbusier, Aural Architecture, Music and architecture
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作者单位
[美]詹姆斯·格雷厄姆  
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中文摘要:
      在现代主义装饰艺术当中,音乐究竟扮演了什么角色?本文通过重构 20世纪早期巴黎两位著名人物—— 建筑师勒·柯布西耶与作曲家埃里克·萨蒂——之间曲折的论辩,探讨了这一复杂的问题。萨蒂发明的“家具音乐” (为特定环境而设计的一系列简短、无休止的重复音乐)是对“背景噪声”之批评。这种背景噪声填满了现代巴 黎的城市音景,也是对以勒·柯布西耶为中心的新兴设计运动之回应。文章论及噪声污染、建筑家具和批判性理 论等问题,作者认为萨蒂的作品既是对现代城市生活“注意力分散”之批评,也是对它热情地拥抱。
英文摘要:
      What role might music play in the decorative arts of modernism? This essay explores this complex question by reconstructing an oblique debate that took place between two renowned figures of early twentieth-century Paris—the architect Le Corbusier and the composer Erik Satie. Satie’s invention of “Furniture Music” (a series of short, endlessly repeated tunes designed for specific settings) was a critique of the “background noise” that filled the urban soundscape of modern Paris as well as a response to an emerging design movement that found Le Corbusier at its center. Touching on questions of noise pollution, architectural furnishings, and critical theory, this essay reads Satie’s work as both a critique and an embrace of the “distractedness” of modern urban life.
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