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| 互鉴向新生：刍议威尼斯文艺复兴早期的建筑新风 |
| The New Era of the Age: A Preliminary Discussion on the Innovative Architectural Style in the Early Renaissance |
| 投稿时间：2025-05-07 修订日期：2026-03-27 |
| DOI： |
| 中文关键词: 威尼斯，文艺复兴早期，建筑新风格 |
| 英文关键词: Venice, Early Renaissance, Innovative Architects, Innovative Architectural Style |
| 基金项目: |
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| 中文摘要: |
| 相对威尼斯拜占庭与哥特时期建筑艺术和帕拉第奥式古典建筑的丰富研究，连结两个时代的威尼斯文艺复兴早期建筑风格甚少得到关注。诚然，作为亚平宁半岛和亚得里亚海上繁荣开放的都市，在这一承前启后的关键节点，威尼斯吸引了一批革新建筑师与工匠群体参与新风格探索实践。他们在汲取潟湖传统风格与形式要素的基础上，融合始于托斯卡纳地区的古典复兴思潮，提出契合比例和完美几何图形思想的理想建筑空间与符合简约古典语汇和协调比例关系的理想立面体系。本文在历史史料与文献梳理的基础上，结合实地调研与图像档案，通过可视化等手段，以期呈现威尼斯文艺复兴早期建筑新风之表现形式，以及导向这种风格背后深层的历史、社会、人文因素。 |
| 英文摘要: |
| In contrast to the extensive research on Veneto-Byzantine and Venetian-Gothic architecture as well as Palladian classical architecture, architects and architectural styles in Venice during Early Renaissance Era that bridged the late Middle Ages, and the High Renaissance have received relatively little attention. In fact, as a prosperous city on the Apennine Peninsula and the Adriatic Sea, Venice attracted a group of innovative architects to engage in the exploration and practice of a new architectural style during this period. Building upon the traditional stylistic and formal elements of the lagoon, they integrated the classical revival ideals that had originated in the Tuscan region, proposing architectural spaces grounded in concepts of harmonious proportion and perfect geometric forms, as well as fa?ade formation that embodied a simplified classical vocabulary and balanced proportional relationships. Based on historical sources and literature, and supplemented by field investigations and visual archives, this study employs visualization and other methods to present this innovative architectural style and those innovative architects who created it during the early Renaissance in Venice. |
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