文章摘要
共有性的重构:跨学科视域下建筑空间的批判与生产
Reconceptualizing the Commons: A Critical and Production-Based Perspective on Architectural Space Through Interdisciplinary Lenses?
投稿时间:2025-07-14  修订日期:2025-12-21
DOI:
中文关键词: 共有性;空间的生产  行动者网络理论;行为学;环世界;
英文关键词: Commonality, The Production of Space , Actor-Network Theory, Behaviorology, Umwelt
基金项目:
作者单位邮编
郭屹民* 东南大学 210096
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中文摘要:
      本文以“共有性”为核心理论框架,探讨当代建筑学从静态形式生产转向动态行为生产的范式转变。通过整合汉娜·阿伦特的“行动”理论、亨利·列斐伏尔的“空间生产”三元空间理论及布鲁诺·拉图尔的“行动者网络理论”,文章批判了传统建筑学中的“主—客”与“心—物”二元对立视角,并提出以“行为学”为导向的建筑实践路径。文中以昆塔蒙罗耶“半个房子”、西村大院、犬吠工作室的图解解剖及春日台中心等案例,阐释了建筑如何通过“公共绘图”“行为拓扑图”等工具,从“空间容器”转化为“行为发生器”,最终实现社会关系的再生产与“共有性”的构建。文章主张,建筑学的根本使命在于成为促进社会共生与行为共享的媒介,实现从“物的生产”向“行为的生产”的深刻转型
英文摘要:
      This article takes “commonality” as its core theoretical framework to explore the paradigm shift in contemporary architecture from static form production to dynamic behavior production. By integrating Hannah Arendt’s theory of “action,” Henri Lefebvre’s triadic model of “the production of space,” and Bruno Latour’s “Actor-Network Theory,” the article critiques the dualistic thinking of “subject–object” and “mind–matter” in traditional architecture, proposing a “behaviorology”-oriented approach to architectural practice. Through case studies such as the “Half a House” in Quinta Monroy, the West Village Courtyard, Atelier Bow-Wow’s graphic anatomy, and the Kasugadai Center, the paper illustrates how architecture can transform from a “spatial container” into a “behavior generator” through tools such as “public drawing” and “behavioral topology,” ultimately achieving the reproduction of social relations and the construction of “commonality.” The article argues that the fundamental mission of architecture lies in becoming a medium that fosters social symbiosis and shared behavior, marking a profound transition from the “production of objects” to the “production of behaviors.”
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