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| “布扎”引入近代中国的另一种途径——义品公司于天津租界之实践 |
| An Alternative Pathway for the Introduction of "Beaux-Arts" to Modern China: The Practice of Crédit Foncier d’Extrême-Orient in Tianjin Concessions |
| 投稿时间：2024-08-31 修订日期：2024-10-25 |
| DOI： |
| 中文关键词: 布扎,学院派,天津租界,义品公司,外国建筑师 |
| 英文关键词: Beaux-Arts, Academicism, Tianjin Concession, Crédit Foncier d’Extrême-Orient, Foreign Architects |
| 基金项目: |
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| 中文摘要: |
| 中国建筑近代化与西方思潮的传入紧密相连,“布扎”即巴黎美术学院体系的引入是重要节点。当前研究多集中于近代留美建筑师与美国“布扎”对中国近代建筑的影响,而此前的法国“布扎”对中国建筑体系之影响鲜有讨论。研究基于法国、比利时一手档案,以天津租界义品公司的欧洲学院派建筑师为例,从“布扎”体系的教育、风格、职业体制三方面切入,剖析法国“布扎”如何影响中国近代建筑,并与美国“布扎”进行对比。研究拟论证“布扎”建筑师及其作品原发性、以天津为代表的开埠城市接纳外来建筑风格的先导性与多样性,揭示“布扎”进入中国的另一条途径,从而为其建立新语境,以期丰富近代建筑史研究视角,为近现代建筑遗产价值评估提供佐证线索。 |
| 英文摘要: |
| The modernization of Chinese architecture is closely associated with Western architectural trends, notably the introduction of the "Beaux-Arts" system from the école des Beaux-Arts in Paris. Existing research mainly addresses the impact of American "Beaux-Arts" on modern Chinese architecture through the first generation of Chinese architects educated in the U.S., while the influence of French "Beaux-Arts" prior to its American transmission is less discussed. Utilizing primary archives from France and Belgium, this study focuses on the European academic architects of Crédit Foncier d’Extrême-Orient in Tianjin, analyzing how French "Beaux-Arts" influenced modern Chinese architecture from educational, stylistic, and professional viewpoints, and comparing it with American "Beaux-Arts". The study aims to demonstrate the originality of "Beaux-Arts" architects and their works, the pioneering role and diversity of port cities like Tianjin in embracing foreign architectural styles, and to reveal an alternative pathway for "Beaux-Arts" in China. This contributes to a new context for "Beaux-Arts", enriching the perspectives of modern architectural history research and providing evidence for the evaluation of modern architectural heritage. |
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